Ultra short throw doesn't necessarily present intrinsic issues with ambient light compared to a machine parked across the room-both fall prey to any stray lumens coming from a source other than the projector. As with any two-piece projection arrangement, contending with ambient light is paramount, but especially so if you intend to use said projector as a replacement for your day-to-day TV. This is where ambient-light rejecting (ALR) UST screens come in. Merely add a screen of 100- or 120-inches diagonal to these models, and you're good to go. Hisense, with its Laser TV series, has led the home UST charge, but LG recently joined the fray, and Optoma, ViewSonic, and start-up VAVA are all slated to release their own 4K UST entertainment centers this year that include on-board audio and internet streaming. Here in the U.S., the most popular application for UST projectors these days is classroom and institutional use, though a number of 4K models geared specifically for the home theater segment have reached market or are expected to this year. UST projectors gained prominence as a consumer category nearly a dozen years ago almost exclusively in the Pacific Rim, where space limitations make traditional home theater projection a challenge. But the company believes in sharing the wealth inter-divisionally, which has enabled their serriform optical filter surface lens microstructure technology to find its way down into the Aeon CLR (Ceiling Light Rejecting) series of screens designed for the growing segment of ultra short throw (UST) projectors. On the other hand, Elite ProAV, their companion division for the commercial market, focuses on leading-edge engineering that's less tethered to cost constraints. Garden Grove, CA-based Elite Screens maintains a presence in the global projection screen market with product design targeting cinema-quality performance at enthusiast-friendly pricing. Layered surface technology more prone to incidental damage than conventional screen materials.Not a complete panacea to all ambient light conditions.Content that was nearly unwatchable during the day was suddenly bursting with colors.” – Brian Mitchell, ecoustics. “It was clear within seconds, the Aeon CLR series offered tremendous improvements in daylight viewing. An LED back-lighting Kit is included for added aesthetics. The screen uses a Ceiling Light Rejection® technology. Aeon CLR ® with StarBright CLR®offers a wide viewing angle, neutral color temperature, and enhanced picture contrast in a theater-grade image.ĮDGE FREE CLR ® means there is an internal framework with wraparound material bordered with an ultra-thin bezel. StarBright CLR® is specifically designed for ultra-short-throw projectors to provide a large-screen performance in the close quarters of most residential or even training environments. This also enables the material to provide contrast levels that are 100 times greater than that of standard matte white projection screens. Its serriform optical surface lens microstructure negates the washout effect of ambient light especially from overhead sources. The Aeon CLR® is an EDGE FREE CLR ® fixed frame screen that uses Elite Screens innovative StarBright CLR® (Ceiling Light Rejecting®) material. Warranty & Technical Support Request Form.Elite Projector MosicGO® Product Videos.Electric Wall/Ceiling Tab-Tension Screens.Cinemascope 2.35:1 Aspect Ratio Screens.
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